Mécaniques; Chimera No. 2 2006 Third Practice Festival, University of Richmond, VA Fun House Livewire Electronic Music Concert, University of Minnesota Some Fabric and a Few Pieces of Bone Mláde Podiúm Festival, Pardubice, Czech Republic Chimera No. 2 American Composers Forum Sound Check: New Music and Conversations at the Southern Fun House Society for Electroacoustic Music in the U.S. (SEAMUS) 2006 National Conference Fun House Spark 2006 Festival of Electronic Music and Art, University of Minnesota Arts Quarter Fun House 2005 Video Traverse Festival, Toulouse, France Moving In and Self Portrait Women in Music Festival, University of North Dakota Shape Shifting 2004 EXPRMNTL, Toulouse, France One month exhibition with opening performance of My House is Your Breathing Spark 2004 Festival of Electronic Music and Art, University of Minnesota Arts Quarter Autumn Etude 2003 Walker Art Center/Minnesota Artists Online Arts Advocacy Day 5 Minutes of Fame Web cast Tempest and Last Words? 2002 Walker Art Center/Minnesota Artists Online 5 Minutes of Fame Tempest and Last Words? Digital Plus - New Works by Bill Gorcica, Kiehle Gallery, Saint Cloud, MN Sarabanda, Tempest Annual Conference of the College Music Society - Great Lakes Chapter, Northfield, MN Low Hangs the Moon 2001 Society for Electroacoustic Music in the U.S. (SEAMUS) 2001 National Conference Chimera 2000 "The Life and Times of James Simmons III, a Creative Interpretation of his Personal Diaries" - an exhibition by artist Rob Madgwick, Haslemere Educational Museum, Surrey, England Variation 959 #1 Society for Electroacoustic Music in the U.S. (SEAMUS) Y2K National Conference Dies Sanctificatus Navigations Festival of Dance and Music, Old Arizona Emerging Artist Series Standing Still at Sea 1999 Sonic Circuits VII International Festival of Electronic Music and Art, presented by the American Composers Forum and the Walker Art Center, Landmark Center, St. Paul, MN Eyes and Ears Brno International Festival - 12th Exposition of New Music, Brno, CZ Dies Sanctificatus 1998 Minnesota Dance Alliance "Homebred!" Artists in Motion Series Indicate What You Want and Solix, performed by RIG American Choir Festival, Leipzig Neue Gewandhaus Dies Sanctificatus 1997 Third International Festival of Contemporary Dance, Poland Solix Minnesota Dance Alliance Benefit Concert Solix International Double Reed Society Convention Time is Vicious 1996 C. Buell Lipa Festival of Contemporary Music, Iowa State University Concertino for Trombone, Winds and Percussion 1995 International Trumpet Guild International Brassfest Metal Fatigue 1993 21st Annual National Flute Convention Angel of Progress SELECTED PRESENTATIONS, INVITED LECTURES and RESIDENCIES 2011 Kyma International Sound Symposium 2011, Porto, Portugal "Sonic Ecologies, Mobiles and Orreries: Generating Interactive and Autonomous Behavior in Kyma." Society for Electroacoustic Music in the U.S. (SEAMUS) 2011 National Conference "Constructing Realities: Nelson Goodman’s Symbol System Theory and Electroacoustic Applications." 2010 Kyma International Sound Symposium 2010, Vienna, AT "Constructing Realities: Nelson Goodman’s Symbol System Theory and Electroacoustic Applications." Featured Composer, New Music Agency, Lincoln, NE Panelist, UND Writers Conference - Mind The Gap: Print, New Media, Art Beyond the Screen 2009 Visiting Composer, State University of New York at Oneonta Visiting Lecturer, Hartwick College “Collaboration as Concept” 2008 Visiting Composer, University of Arizona School of Music and Dance 2006 Featured Composer, Mláde Podiúm Festival, Pardubice, Czech Republic 2005 Carleton College, Northfield, MN "Audible Mobiles and Interactive Electroacoustic Music." University of Minnesota, School of Music/Department of Art "Interdisciplinary Collaborations," co-presented with Philippe Costaglioli. Spark Festival of Electronic Music, University of Minnesota "Audible-Mobiles: An Application of Ecosystemic Programming in Kyma". 2004 HAMU, Prague Academy of Music "My House is Your Breathing: Orpheus the Acousmatic," co-presented with Philippe Costaglioli. Palacky University, Olomouc, Czech Republic "My House is Your Breathing: Orpheus the Acousmatic," co-presented with Philippe Costaglioli. 2003 Perpich Center for the Arts, Golden Valley, MN - Guest Composer 2002 Hillsdale College, Hillsdale, MI - Visiting Artist/Lecturer 2001 Society for Information Technology and Teacher Education (SITE) 12th International Conference "Infusing Technology Across Four Preservice Teacher Preparation Institutions in Minnesota: Method to our Madness" co-presented with James Reineke (Winona State University). 2000 Musical Intersections, Toronto 2000/College Music Society 43d Annual Meeting "Integrating Preservice Teacher Education with Technology: A Work in Progress" co-presented with Margaret Schmidt (St. Cloud State University) 1999 Sixth Annual Technological Directions in Music Learning International Convention, Institute for Music Research, San Antonio, TX "Using Technology to Integrate Pre-service Music Teacher Education: A Work in Progress" co-presented with Margaret Schmidt (St. Cloud State University). 1998 Sigma Alpha Iota Province Day, St. Cloud State University "Electroacoustic Music History and Aesthetics" 1996 Northwestern University School of Music Composers Colloquium - Guest Composer Minnesota Center for the Arts - Guest Composer Carleton College, Northfield, MN - Guest Composer 1995 Palacky University, Olomouc, Czech Republic - Visiting Professor/Composer 1994 Leaf River Educational District, MN "Electroacoustic Music, Techniques and Educational Applications." 1993 Minnesota Music Theory Consortium Conference "Multimedia Art History and Aesthetics." PROJECT MANAGEMENT, ADMINISTRATION, and FISCAL RESPONSIBILITY Society for Electro-Acoustic Music in the U.S. (SEAMUS) 2010 National Conference 2010 I co-hosted the SEAMUS 2010 National Conference at St. Cloud State University with colleague Kristian Twombly. We presented over 130 compositions, videos, installations and papers at 13 concerts over three days of activities, with 160 conference participants from the U.S. and Europe. McKnight Foundation Community Project, 2003 This project funded workshops offered at the Paramount Arts District in collaboration with Philippe Costaglioli and Ron Gregg to the St. Cloud community on music, poetry, and video collaborations, culminating with a performance of participant's works at the Paramount Theater, St. Cloud, MN. Additional support provided by the SCSU Foundation. SCSU Site Coordinator, Rural Integration of Technology in Education (RITE) PT3 project, 2000 - 2002 The RITE project was a $1,500,000 Department of Education funded initiative to integrate the preparation of pre-service teachers at four MnSCU campuses to effectively use technology. As Site Coordinator, I prepared year long project plans, goals and objectives, and designed and implemented assessment tools to improve the effectiveness of our activities in education disciplines throughout the university. I was responsible for the management of a local budget in excess of $100,000 each year. SCSU Site Secondary Areas Project Coordinator, RITE PT3 project, 1999 - 2000 I developed activities that served constituents from outside of the College of Education, which included facilitating, designing, and delivering faculty training. Director, St. Cloud State University Music and Art Program in the Czech Republic, 1999 As Director, I was responsible for recruiting music and art students from St. Cloud State and other universities, negotiating and managing a budget, and developing a semester's activities, academic, and artistic experiences for student participants in conjunction with the host university. PROFESSIONAL SERVICE Vice President of Programs, Society for Electro-Acoustic Music in the U.S. 2011 - 2012 Co-Host, Society for Electro-Acoustic Music in the U.S. National Conference 2010 Curator, Spark Festival of Electronic Music and Art, University of Minnesota, 2007 - 2010 Adjudicator, Society for Electro-Acoustic Music in the U.S. National Conference 2007 Minnesota Music Teachers Association (MMTA) Student Composition Contest Judge, 2002 Minnesota State Arts Board Panelist, 2002, 2003 MNSOTA All-State Summer String Teacher's Workshops, St. Cloud State University, 2001 "Designing a Web Page for Your Orchestra" and "Introduction to Finale Music Notation Software." Minnesota Public Radio/Minnesota High School Music Listening Contest Regional Judge, 1998 - 2000 Composer-in-residence, St. Cloud State Music Department Prep School, 1998 - 1999 Composer-consultant to St. Francis Music Studios, St. Cloud, MN, 1998 - 1999 Central Minnesota Arts Board Artist Advisory Panel, 1997 Curator, Sonic Circuits IV, Sonic Circuits VI International Electronic Music Festivals, 1996, 1998 College Music Society 36th Annual National Convention, Minneapolis, MN, 1993 BIBLIOGRAPHY Boyd, Michael. “Society for Electro-Acoustic Music in the United States 2010 National Conference.” Computer Music Journal, Volume 34, Number 4, Winter 2010: 74 - 5. <journals/cmj/summary/v034/34.4.boyd.html> Rozhovor: Nebe na zemi Vladimíra Havlíka. Kultura CZ.Czech Television 2. 27 December 2008. <ivysilani/308295350090021-kultura-cz/> at 12'30" into the program. Schell, Justin. Seeds of Change, Fruits of Labor: Zeitgeist and Wordless Music. MNartists.org. 01 October 2007. <article.do?rid=161515>. Blackburn, Philip. "Noises Underground." access + ENGAGE 18 June 2007: 18.2. <ejournal/accessENGAGEIssue18.2.htm>. Desmith, Christy. "Avant-Garde Whatchamacallit Takes Over Studio Z. Zeitgeist and Scott Miller Present a Multimedia Chameleon."City Pages 02 March 2005: 48. <databank/26/1265/article13021.asp>. Patterson, Juliet. Zeitgeist: Shape Shifting: Shades of Transformation. MNartists.org. 09 June 2004. <mnartists.org/article.do?rid=41214>. Beard, William Randall. Rev. of "Shape Shifting: Shades of Transformation." Morning Edition. 11 June 2004. Minnesota Public Radio. 11 June 2004. <programs/morninged/listings/me20040607.shtml>. Gehrke, Karl. "Shape Shifting: Shades of Transformation." Backstage Pass. 03 June 2004, 05 June 2004. WCAL Classical 89.3. Roberts, Chris. "St. Cloud: My House is Your Breathing." Word of Mouth. 04 April 2003. Minnesota Public Radio. <programs/wordofmouth/archive2003.shtml>. Kohman, Liz. "Film Project Fuses Art, Sound." St. Cloud Times 03 May 2003: 1C. Bergquist, Kris. "A Chance to See What Europe Concert Will Be." St. Cloud Times 16 April 1998: 13E. Ultan, Lloyd. "Electronic Music." Encyclopedia of Computer Science and Technology, v. 34, supplement 19. 1996 ed. Bergquist, Kris. "SCSU Concert Gives Spotlight to Computers." St. Cloud Times 25 September 1996: 1B, 6B. Bergquist, Kris. "Scott L. Miller: Uses Computer Like Instrument." St. Cloud Times 20 June 1996: 8E. COMMISSIONS And 30 More (2008); commissioned by Zeitgeist in celebration of their 30th anniversary. The Cosmic Engine (2008); commissioned by The Southern Theater and the Electric Eyes New Music and Media Festival. Pure Pleasure (2008); commissioned by Patti Cudd. Thre


Last Words?

Spoken-word, video and electronic sound (also fixed-media video); setting of Philippe Costaglioli's Last Words?, duration: 4 minutes. Composed in collaboration with Philippe Costaglioli, and Jesse Zwack (video artist). First performance: 10 April 2003 by Philippe Costaglioli, Paramount Theater, St. Cloud, MN.


Sarabanda

Spoken-word, video and electronic sound; setting of Philippe Costaglioli's Sarabanda, duration: 7 minutes. Composed in collaboration with Philippe Costaglioli, Bill Gorcica (multimedia) and Ron Gregg (videographer) with support from Minnesota State Arts Board Artist Assistance Fellowship, and supported in part by the American Composers Forum through the 2001 McKnight Composer Fellowship Program. First performance: 26 March 2002 at Digital Plus - New Works by Bill Gorcica, Kiehle Gallery, St. Cloud, MN.


2001

Ecce Dominus Reniet

Women's Choir (SA) and Percussion; duration: 6 minutes. Composed with support from the Minnesota State Arts Board Artist Assistance Fellowship, Fiscal Year 2001 and supported in part by the American Composers Forum through the 2001 McKnight Composer Fellowship Program. First performance: 05 December 2001 by the SCSU Women's Choir and the SCSU Percussion Collective, Ritsche Auditorium, St. Cloud, MN.


Tempest

Spoken-word, video and electronic sound (also fixed-media video); setting of Philippe Costaglioli's Tempest, duration: 4 minutes. Composed in collaboration with Philippe Costaglioli (spoken-word) and Ron Gregg (videographer) with support from Minnesota State Arts Board Artist Assistance Fellowship, Fiscal Year 2001 and supported in part by the American Composers Forum through the 2001 McKnight Composer Fellowship Program. First performance: 14 October 2001 Ruth Gant Recital Hall, St. Cloud, MN.


Landscape

Created with support from St. Cloud State University Scholarly and Creative Activity Reassign Time. Wind Ensemble and Fixed-media; duration: 8 minutes. First performance: 22 April 2001 by the SCSU Wind Ensemble at St. Mary's Cathedral, St. Cloud, MN.


Low Hangs the Moon

Commissioned by Thomas Allen with support from the SCSU Foundation. Soprano, Piano, and Fixed-media; setting of text from Walt Whitman's Sea-drift: Out of the Cradle Endlessly Rocking; duration: 7 minutes. First performance: 02 April 2001 by Hillary Vermillion, soprano and Thomas Allen, piano, Ruth Gant Recital Hall, St. Cloud, MN.


2000

Chimera

Viola and Fixed-media; duration: 7 minutes. First performance: 27 March 2000 by Coca Bochonko, Ruth Gant Recital Hall, St. Cloud, MN.


Secrets

Soprano Saxophone, Percussion, Fixed-media, and Spoken-word; acid jazz setting of Philippe Costaglioli's poetry; duration: 10 minutes. First performance: 20 October 2000 by Philippe Costaglioli, spoken word; Kim Gast, Sop. Sax., and Terry Vermillion, percussion at Ruth Gant Recital Hall, St. Cloud, MN.


Through the Forest

Soprano Saxophone, Percussion, Fixed-media, and Spoken-word; acid jazz setting of Philippe Costaglioli's poetry; duration: 10 minutes. First performance: 20 October 2000 by Philippe Costaglioli, spoken-word; Kim Gast, Sop. Sax., and Terry Vermillion, percussion at Ruth Gant Recital Hall, St. Cloud, MN.


Nature Study No. 7

Soprano Saxophone, Percussion, Fixed-media, and Spoken-word; acid jazz setting of Philippe Costaglioli's poetry; duration: 8 minutes. First performance: 20 October 2000 by Philippe Costaglioli, spoken-word; Kim Gast, sop. sax., and Terry Vermillion, percussion at Gant Recital Hall, St. Cloud, MN.


Variation 959 #1

Piano; created for a multimedia installation by visual artist Rob Madgwick; duration: 2 minutes. First performance: 18 - 28 July 2000, The Life and Times of James Simmons III, a Creative Interpretation of his Personal Diaries, Haslemere Educational Museum, Surrey, England.


Standing Still at Sea

Fixed-media; created in collaboration with choreographer Gretchen Pick for dance quintet; duration: 20 minutes. First performance: 01 - 04 June 2000 as part of the Old Arizona Emerging Artist Series at Old Arizona Studios, Minneapolis.


1999

Eyes and Ears

Created with support of a St. Cloud State University Research Grant. Multimedia Installation created in collaboration with visual artist William Gorcica. First performance: 21 April 1999, Performing Arts Center, St. Cloud, MN.


1998

Autumn Etude (a.k.a. In Memorium Lloyd Ultan)

Fixed-media; duration: 8 minutes. First performance: 12 November 1998 at Sonic Circuits VI, St. Cloud, MN.


Dies Sanctificatus

Mixed Choir and fixed-media; duration: 7 minutes. First performance: 17 April 1998 by the SCSU Concert Choir, Jeffrey Douma, cdtr., Ritsche Auditorium, St. Cloud, MN.


1997

Time is the Fire in Which We Burn

Trombone and fixed-media; duration: 8 minutes. First performance: 03 November 1997 by Mark Springer at Ruth Gant Recital Hall, St. Cloud, MN.


Indicate What You Want (Polish Women Never Scream)

Fixed-media and five dancers; duration: 13 minutes. Choreographed by Gretchen Pick. First performance: 04 - 13 July 1997 by Rig at the Minnesota Dance Alliance Homebred! Artists in Motion Series, at the Hennepin Center for the Arts, Minneapolis.


Dangerous When Wet

Fixed-media; duration: 25 minutes. Originally presented as part of a collaborative performance art event with sculptor/installation artist Suzanne Kosmalski at SCSU Pool.


Hommage

Commissioned by the St. Cloud State University Wind Ensemble. Wind Ensemble; duration: 7 minutes. First performance: 03 March 1997 by the St. Cloud State University Wind Ensemble, Ric Hansen, cdtr., Mexican National Radio from IMER Studio "A", Mexico City.


1996

Improvisational Studies in Wood, Metal & String

Trap-set and interactive-electronics; duration: 15 - 20 minutes. First performance: 26 Sept 1996 by Terry Vermillion at Sonic Circuits IV International Festival of Electronic Music, St. Cloud, MN.


Old Turtle

Commissioned by James B. Van Demark, Bruce Wood, and Doug Wood. Solo Double Bass, Narrator and Orchestra; duration: 17 minutes. First performance: 16 May 1996 by the SCSU Sonare Orchestra, Downtown Plaza, St. Cloud, MN.


Elegy

Created with support of a St. Cloud State University Long-Term Grant. Violin, Cello and Piano; duration: 12 minutes. First performance: 01 April 1996 by Sarah Snyder, violin; Sara Docter, cello; Judy Zyllstra, piano, Recital Hall, St. Cloud State University. Recorded on Trio Montecino, Eroica JDT3196, featuring David Shea, clarinet; Pablo Mahave-Veglia, violoncello; Paulina Zamora, piano.


1995

Solix

Fixed-media and two dancers; duration: 7 minutes. First performance: 19 June 1995 at the Minnesota Dances Festival at the Hennepin Center for the Arts.
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